https://www.kateelizabethfowler.com/contact daily 0.75 2021-05-18 https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621357747066-0G0TGS227IJ3WBZZBBVU/Fowler_Headshot.jpg Contact - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.kateelizabethfowler.com/news-press daily 0.75 2021-05-18 https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621358685201-WWTG010CWFIXXTZKRVDI/2b-853x1024.jpg News & Press - The Paris Review: A Story in One Picture A pure baby shining in white at the center of the frame, being held by a shirtless, barefoot boy. Something about it all is so sacred. I believe my main character in “An Unspoken,” Clara Parker, would have seen this in a dream and felt happy, or could just as easily been haunted by it. And this is everything the story truly hinges on. —Ashleigh Bryant Phillips, “An Unspoken” https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621358907541-PDIWYPW9UUOCYTR8YU1T/85eaadb12c96831e2dd8e8d0ba75e08b_XL.jpg News & Press - Hillbilly: Featured in Hulu Documentary Film Featured in the Hulu Documentary film Hillbilly by Sally Rubin and and Ashley York "hillbilly" is a documentary film that examines the iconic hillbilly image in media and culture. The film explores more than a hundred years of media representation of mountain and rural people and offers an urgent exploration of how we see and think about rural America. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621359083732-TERYTQ6OS4LX8T178ELZ/25D0DD93-ACD7-4A4A-AA85-85F347C93F32.JPG News & Press - Art and activism in Richmond have long been intertwined. Nightly protests made that relationship more visible than ever. Featured in the Richmond Times Dispatch for my community printmaking work with Studio Two Three. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621360505755-U13SSX2F5L7VP87RDUCY/Screen+Shot+2021-05-18+at+1.54.31+PM.png News & Press - Carnegie Museum of Art: Feature on Storyboard It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621360705475-HPCFD909ASW80NXFWZO9/Screen+Shot+2021-05-18+at+1.56.46+PM.png News & Press - The New Yorker: Featured in Another Side of Appalachia by Courtney Balestier “Appalachia is not a corner of the United States that cameras come to fresh. Artist-visitors have been making visual shorthand of the rural region for decades, and they have tended to seek the place’s more derisive scenes: the folded flesh of the obese, the writhing snakes of the Pentecostals, the scabbed injections of addicts. These subjects are there for the finding, but the photographer who focusses only on the sordid or the sensational has an outsider’s narrowness of vision. Harder to capture, and far more revealing, are the mysteries of Appalachia as they appear to Appalachians.” https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621361117631-V67030S4YE77FWCECN6S/Screen+Shot+2021-05-18+at+2.04.51+PM.png News & Press - RVA MAGAZINE: Using Art to Amplify Voices A feature on my community print work with Studio Two Three in Richmond, Virginia. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621361395889-5V9GORKUHT5VK1VFT3UW/Screen+Shot+2021-05-18+at+2.09.23+PM.png News & Press - Story Production for PBS Documentary: The Future of America’s Past I worked as a Story Producer on the first season of the PBS Documentary Series The Future of America’s Past, directed by Hannah Ayers and Lance Warren. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621361660945-KUKPAA8FOPW023SIM2E0/Screen+Shot+2021-05-18+at+2.13.47+PM.png News & Press - Feature Shoot: Serpents, Religion, and Roots A feature on my collaborative project with artist Mark Strandquist, With Signs Following. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621361849902-RL5WHWU8K7PZCFDJBU1O/Screen+Shot+2021-05-18+at+2.15.55+PM.png News & Press - Feature in Richmond Magazine: The Innovators A feature on Studio Two Three’s community print work. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621362038677-MYI688TWXZ3VXGOBMJVP/Screen+Shot+2021-05-18+at+2.18.43+PM.png News & Press - Featured in Institute for Contemporary Art: Kutunza Kila Mmoja KUTUNZA KILA MMOJA Taking Care of Each Other, located in the Soul N’ Vinegar café space, celebrates artist Bukuru Nyandwi and the important resources Milk River Arts provides to artists in Richmond. The wallpaper, banner, prints, and community bulletin board that make up this project are a testament to Milk River Arts’ dedication and care for their community of neurodiverse artists. In addition to Bukuru, artists Barry O’Keefe, Aimee Joyaux, and Kate Fowler contributed their creative and technical expertise to make this project possible. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621362229132-4K9U42LOJU3P5GGRKGLG/Screen+Shot+2021-05-18+at+2.22.27+PM.png News & Press - Founding Board Member: Looking at Appalachia In 1964, President Lyndon Johnson declared unconditional war on poverty in the United States and nowhere was this war more photographed than Appalachia. A quick Google image search of “war on poverty” will yield several photographs of President Johnson on the porch of the Fletcher family home in Inez, Kentucky. Many of the War on Poverty photographs, whether intentional or not, became a visual definition of Appalachia. These images have often drawn from the poorest areas and people to gain support for the intended cause, but unjustly came to represent the entirety of the region while simultaneously perpetuating stereotypes. In an attempt to explore the diversity of Appalachia and establish a visual counter point, this project looks at Appalachia fifty years after the declaration of the War on Poverty. Drawing from a diverse population of photographers within the region, this new crowdsourced image archive will serve as a reference that is defined by its people as opposed to political legislation. https://www.kateelizabethfowler.com/work daily 1.0 2026-07-15 https://www.kateelizabethfowler.com/work/works-in-progress monthly 0.5 2026-07-15 https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/39613ddf-2cee-4a26-9ef1-4e2042e91027/IMG_2230+Copy+%281%29.jpeg Work - Works in Progress Cameron, Age 15. Stone Mountain, Georgia. Cameron was attending the 4th of July celebrations at Stone Mountain– a publicly owned park that sits beneath a monumental relief carving of Confederate soldiers Robert E Lee, Stonewall Jackson & President of the Confederacy, Jefferson Davis. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/94e29510-119c-4f5e-a9d0-3b3e4b9cf770/IMG_2227+Copy.jpeg Work - Works in Progress Malik (8), Daron (15) & Michael (12) weave palm roses to sell to mourners outside of the AME Emanuel Church in Charleston, South Carolina. A month earlier a white supremacist took the lives of nine congregants of the church during their evening Bible Study—Cynthia Hurd, 54; Susie Jackson, 87; Ethel Lance, 70; Rev. DePayne Middleton-Doctor, 49; Hon. Rev. Clementa Pinckney, 41; Tywanza Sanders, 26; Rev. Daniel Simmons Sr., 74; Rev. Sharonda Singleton, 45; and Myra Thompson, 59. Hundreds of palm roses hand-woven by Malik, Daron and Michael decorate the facade of the church, which has become a sprawling memorial for mourners and community members. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/abc5cd3f-4b4a-453d-8673-2c0a97e52faa/IMG_2228+Copy.jpeg Work - Works in Progress Families gather at Stone Mountain on the Fourth of July, 2015. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/2aa60933-c574-4592-9ebd-b9cabc4064e5/IMG_2229+Copy.jpeg Work - Works in Progress Don, an attendee at the Ku Klux Klan rally at the Columbia, South Carolina State House. A lifelong South Carolinian, he stated that he was attending to protest the removal of a Confederate flag from a memorial on the Capitol building’s property. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/cdbc187e-2302-400b-81cb-18854f8dd3b1/IMG_2231+Copy.jpeg Work - Works in Progress A home that sits on the corner of Confederate Avenue and Marion Street, in the historic Cotton Town district of Columbia, South Carolina. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/138a1c10-7430-4068-b775-17dcb21541f7/IMG_2232+Copy.jpeg Work - Works in Progress Burnt white picket fence, West Columbia, South Carolina. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/dc67156c-9834-4885-83ac-9a0ee3ec733d/IMG_2233+Copy.jpeg Work - Works in Progress Clarence, his nephew, and three nieces, Lauren, Keiahra, and Keimiya at their home in Church Hill, Richmond, Virginia. Clarence grew up in Jackson Ward, a neighborhood which spans part of downtown Richmond and the urban campus of Virginia Commonwealth University. He relocated his family to the edge of Church Hill after the cost of housing became untenable due to the rise of student housing and temporary rentals. Jackson Ward is a historically African-American community which was once known as “The Harlem of the South.” Since the 1950s its community has been greatly impacted and displaced by numerous “renewal” efforts, including the construction of an interstate highway which bisected the neighborhood and the continued expansion of Virginia Commonwealth University’s campus and student housing. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/af11e6d5-3bd9-41a6-96c7-526b29aff25c/IMG_2234+Copy.jpeg Work - Works in Progress Dustin & Benjamin Byrd at a Ku Klux Klan (KKK) rally at the South Carolina State House. The brothers denied any affiliation to the KKK, stating that they had come to “stand in protest against” the state-sanctioned removal of a Confederate flag from the grounds. Following the action, the brothers were approached by a group of protesters while crossing the State House grounds carrying a confederate flag. After a rock was thrown and the group surrounding the brothers grew, two police officers intervened and walked Dustin and Benjamin to the street. Placing his hand on Dustin’s soldier, one of the officers offered an apology, stating: “I’m sorry, you didn’t do anything wrong. You know we’re just trying to keep you safe.” Dustin shook his hand and thanked him for his service. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/dd0ec5dc-ce83-4d2f-821c-f673c82ca87b/IMG_2235+Copy.jpeg Work - Works in Progress Captain Charles Seton Fleming, (2 FLA INF CSA). Killed at Cold Harbor on June 3rd, 1864 at age 29. Buried in Hollywood Cemetery, Richmond Virginia. Charles was the brother of Francis Fleming, the governor of Florida from 1889–1893. Francis was a firm supporter of segregation and fought against civil rights for African Americans in Florida. He signed poll taxing and literacy tests into Florida law. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/344c1806-bcb9-4be5-9439-f1525e90ddec/IMG_2236+Copy.jpeg Work - Works in Progress Over 16,000 Confederate graves are cared for in perpetuity at Hollywood Cemetery in Richmond, Virginia. Across town, the Four Cemeteries at Evergreen is the final resting place for some of Richmond’s most celebrated African-American leaders, activists, and community members. There have been numerous attempts, including a current project by Americorps Vista to clear the sprawling kudzu and English ivy that covers many of the headstones. For decades a large portion of the cemetery has been inaccessible to visitors and mourners. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/fd27bb1f-7b51-4afa-b602-9e4d9434e4e6/IMG_2237+Copy.jpeg Work - Works in Progress “King of the South” (Cotton) on display at the Ft. Sumter Museum in Charleston, South Carolina. Fort Sumter removed a Confederate Flag from the courtyard of their museum after the massacre at the AME Emanuel Church, yet the memorial and island fort remain celebrated entry points into the first shots fired by Confederate secessionists. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/e8247675-2eed-4c66-8044-39a802f31298/IMG_2238+Copy.jpeg Work - Works in Progress The view from Chatham Manor, Fredericksburg, Virginia. Walt Whitman served as a Union nurse at Chatham Manor during the Civil War, later releasing the poem “The Wound Dresser” about his experiences caring for wounded soldiers. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/634e0e45-afa6-4025-8d77-9236f73667c0/2699663A-D059-4125-99B2-1FCEA9D30955-2599-0000005151580056.jpg Work - Works in Progress Figs grow behind the Daughters of the Confederacy building. Richmond, Virginia. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/2d71ebd0-c4a9-49bf-b79c-a3e6058b942a/IMG_2239+Copy.jpeg Work - Works in Progress A young man drapes a Confederate flag over his shoulders at a Ku Klux Klan rally at the Columbia, South Carolina State House. Over two thousand people protested in opposition to, or in support of, the Klan’s march against the removal of a Confederate flag from a memorial on capitol grounds. This man said that he was not attending the rally in support of the Klan, but wanted to “defend his South Carolinian heritage.” He spoke of ancestors who fought in the Civil War to “protect their way of life”—a way of life he asserts was rooted in agriculture and a celebration of the land. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/bcd272ce-58e3-47f0-8c0f-837d1f65ec9c/4E60C8AA-5887-4505-9797-B87F2805BD0D-2599-0000005165C359FB+Copy.JPG Work - Works in Progress Cornerstone of the Daughter's of the Confederacy building, which is now monitored 24/7 by security, following vandalism in 2020. Protestors broke out windows and threw Molotov cocktails into the rooms. The DotC has never shared the extent of the damage caused and remains closed to the public. The building now sits beside a large monument by artist Kehinde Wiley called "Rumors of War". This bronze sculpture features a young Black man astride a horse. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/681ba43d-e67d-4e03-ab99-90b765dacbe9/B1C54966-7CEC-4F51-999C-948B9004D1A1.JPG Work - Works in Progress Richmond, Virginia. A KKK member hangs with a noose in a tattoo on a Richmonder's arm. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/5d04faed-910d-46b3-92e6-e023992101b9/IMG_2510.jpeg Work - Works in Progress Seven, a train hopper from Baltimore, Maryland. I met Seven across the street from the home of Atlanta’s first black run newspaper, where MLK organized. Seven was sleeping on the streets, turning tricks for money. They were contemplating going North to escape the heatwave. When I asked seven about the 250th anniversary of the signing of the Declaration of Independence, they responded: “we’re all a bunch of creeps these days.” https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/146fc177-292d-4f2f-a8e2-142597aafb41/IMG_2515+Copy.jpeg Work - Works in Progress A tree in Shermantown, Georgia- a freedman town settled at the base of Stone Mountain. This tree stands in the woods beside Ebenezer Baptist Church, organized in 1916. Shermantown was established by formerly enslaved folks following the Civil War and was named to honor Union General William T. Sherman, whose forces occupied the region. Sherman utilized destruction of infrastructure as a tactic to halt Confederate movement, including the destruction of railroad ties through the South. "In case of the sounds of serious battle [Major-General McPherson] will close in on General Schofield but otherwise will keep every man of his command at work in destroying the railroad by tearing up track, burning the ties and iron, and twisting the bars when hot. Officers should be instructed that bars simply bent may be used again, but when red hot they are twisted out of line they cannot be used again. Pile the ties into shape for a bonfire, put the rails across and when red hot in the middle, let a man at each end twist the bar so that its surface becomes spiral." These twisted ties became known as Sherman's neckties. A monument of twisted and rusted metal stands beside the Shermantown trainstation to this day. The Ku Klux Klan met on top of Stone Mountain from 1915 to 1978, often marching through Shermantown in the evenings. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/6f8e5ba3-2ae6-49f0-80e9-b4eff9f3ecdf/IMG_2516+Copy.jpeg Work - Works in Progress Stone Mountain monument, July 4th, 2026. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/00bc934f-ecfb-4d54-bc69-ed02bb7669f2/IMG_2512+Copy.jpeg Work - Works in Progress Young couple watches the fireworks at the 4th of July celebration at Stone Mountain. It was their first time at the monument and they came because they heard it was the "best lightshow & fireworks in the state". They shared that they thought that the mountain was beautiful. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/7963e25b-d31e-4b79-af91-b2c855201e5c/1EA89F04-33E7-452A-B305-E0F649F26DD2.JPG Work - Works in Progress Junior Carthern, Age 84. Colbert, Georgia. Junior sells watermelons and peaches from Southern Georgia on the side of the road on the 4th of July. When asked what he was doing to celebrate, he said "This. I work here 7 days a week and I'm 84 years old." When asked how he feels about the 250th of the signing of the Declaration of Independence, Junior responded: "I don't believe in much anymore". https://www.kateelizabethfowler.com/work/education-2jdrs monthly 0.5 2021-05-18 https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621354348913-SC3JK4YX6RENS1YPXQ83/tumblr_n81sgracam1qeqv2zo1_1280.jpg Work - Education & Community Work - Media & Literacy Curriculum A media literacy curriculum developed and written for PhotoWings, following a workshop with photographer Wendy Ewald, Kate Fowler and Jenkins Middle & High Schoolers in Eastern Kentucky. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621354760245-SFC8HPG7VA5AENTFUZVG/tumblr_inline_nr2orqqpox1r6gwxa_1280.png Work - Education & Community Work - Tactics of Collaboration: A Participatory Playbook Tactics of Collaboration: A Participatory Playbook is a project that seeks to reveal the unseen processes of engagement inherent in collaboration practice. As corporations co-opt the notion of collaboration for their guides on workplace etiquette, and photographers identify the act of making a portrait as a collaborative exchange between author and subject, it becomes harder to envision the true complexity of making work alongside a community. This traveling exhibition and project was created in collaboration with artist Mark Strandquist during my time with Magnum Foundation’s Photography Expanded initiative. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621355640009-X4G8FIENZFNB0MQVUB50/IMG_3841.JPG Work - Education & Community Work - Community Printmaking; Studio Two Three Community advocacy & print work in collaboration with Studio Two Three, feminist community print shop in Richmond, Virginia. At our Community Print Days, we pop up at various locations throughout the city and offer free printed t-shirts, prints and banners to support the movement to Defend Black Lives. We share the next print days on our Instagram - and the designs change based upon our partner organizations and movements. The prints are always free; bring a light-colored shirt, fabric or paper and some to share with a BIPOC. https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621355817114-5MHH4GG6F6Q9WBLHPCJ4/image0+%281%29.jpeg Work - Education & Community Work - Southern Community Cultural Alliance (SCCA) I am a co-founder of the Southern Community Cultural Alliance, a coalition of, by and for Southern arts and cultural organizations and workers. We began convening in the early days of the COVID-19 pandemic to address the immediate needs of our grassroots organizations and have now grown to approximately 85 member organizations. Join our coalition efforts! https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621356450523-NRHNTFD3M89P6ODNW8LP/Screen+Shot+2021-05-18+at+12.46.36+PM.png Work - Education & Community Work - Doc’s Addition A partnership with local documentary production company Fourthline Films to launch Doc’s Addition, a Richmond-based documentary program at Studio Two Three. Doc’s Addition is an effort to allow documentarians to present their work and to discuss it with a live audience, affirming the notion of filmmaking as a collective rather than corporate endeavor. https://www.kateelizabethfowler.com/work/discussions-r494l monthly 0.5 2021-05-18 https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621351678185-06LSCKPKB9JJJNKPKPCY/Screen+Shot+2021-05-18+at+11.27.37+AM.png Work - Panels & Discussions - Making Space, Holding Place. Featuring Kate Fowler and Josh Collier (Appalachian Media Institute), Danny Peralta and Roy Baizan (The Point), Noelle Flores Theard Both Appalshop and The Point in the Bronx are long-standing organizations that prioritize community-based storytelling in order to provide resources and opportunities for youth engaged with the issues that most affect them. These community-driven organizations create safe spaces for young people to express themselves, create alternative narratives, subvert stereotypes, and represent their realities. How do long-term engagement, persistence, and commitment to core values help sustain organizations through decades of change and transition? https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621352649676-QEH06SZJ9XSJJV15AFGB/6f3bda39dc2aee1cdaf8b4d1b8d6cca3.jpg Work - Panels & Discussions - Creative Justice Initiative A partnership with Creative Justice Initiative– a nationally-oriented effort to confront the systemic inequality and chronic under-funding of community-based arts and culture organizations– on a series of intergenerational and multiracial conversations about creative equity. I co-moderated the final conversation alongside my collaborator Tiffany Turner from Appalshop and panelists Denise Oliver (Black Panther Party, The Young Lords), Madonna Thunderhawk (the American Indian Movement), Tailinh Agoyo (Co-founder and Director of We are the Seeds of Culture Trust) and Cliff Chambliss (Founder of Trinity Creations). https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621351977357-QZEBQGT46NFQV32V313U/wendy+ewald.jpg Work - Panels & Discussions - Interview with Wendy Ewald Host Kelli Haywood and special guest host Kate Fowler speak with award winning photographer Wendy Ewald. Ewald visited Letcher Co., Kentucky in the late 1970s and worked with youth to document life as they saw it. The work became the book Portraits & Dreams. The methods she developed in Appalachia she took around the world. In this episode of Mountain Talk Monday, Ewald and hosts discuss a variety of topics including how Ewald and her students made the photos, who can tell the story of a place… who has the right, and what is similar across cultures when we view them through the eyes of children. https://www.kateelizabethfowler.com/work/writing-b9jrx monthly 0.5 2021-05-18 https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621279360736-WNGOU1DT30XDEH5OIVU2/Screen+Shot+2021-05-17+at+3.22.10+PM.png Work - Writing - Interrogating the Notion of Documentary Truth: Stacy Kranitz – ‘As it was give(n) to me’ Published on American Suburb X https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621279621100-WJQD7DN2LGBHPPBV9EXU/tumblr_orndmhvOBO1qeqv2zo1_1280.jpg Work - Writing - The Work of Place Keeping in Eastern Kentucky Published on the Oxford American https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621279980427-C1Q04VL34B0M7KPC9M6T/tumblr_nhtrz9wm8S1qeqv2zo2_1280.jpg Work - Writing - The Aesthetics of Wandering Published in the Human Being Journal https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621282200965-KYSUNK661W8IQSKXRNP3/tumblr_n81sgracam1qeqv2zo1_1280.jpg Work - Writing - Portraying Appalachia: The Historical & the Poetic Published on the Oxford American https://www.kateelizabethfowler.com/work/media-ksftd monthly 0.5 2026-06-23 https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/484db9a3-6e95-4f50-b990-ddca7e1b1318/Fowler106+copy+2.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/28876663-24e4-4d85-9336-8b356fe1678c/10_Kate025.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/cfabff8f-f628-4489-98f6-062ede3dc774/KF001+resize.jpg Work - Media Still Life https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/a566d2e4-ae1d-4aee-88f7-08575bd61475/spring013_edit.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/b5f155f8-3976-4b83-ad90-06f3714598a0/27+%281%29.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/7d89ae4a-013f-4bd8-af76-9aed9e22fc7a/spring009_edit2.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/2283addf-e55b-4283-9e3c-352f4a876f4b/Website_1.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/e808b46f-504b-406e-96b3-eb44cc946fce/3.jpeg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/8d21f241-2111-467c-96d1-70a9d2fb989a/spring011_edit.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/0cfd8609-32f8-4653-83c8-1f34aba1d27f/say+together050+copy.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/ff1bf4f7-654d-4320-b442-3d4ad20ee67d/spring012_edit.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/7743ed0d-5a72-4783-96cd-5a43fa32ac48/Fowler097+copy+%281%29.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/eb08f30f-1148-4a09-9f32-c163f246eb5d/5.jpeg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/a34d2af1-4095-415b-b669-09863a639258/Website_5_low+copy.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/9b5196ca-a9aa-4f00-8128-e0e26e931e4c/2_Kate013.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/69979394-d9bb-4e04-bb7d-be835add025d/9_Kate024.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/6c6fee61-81e4-4979-bf53-d8c4950aa9a1/Fowler125.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/f0599663-5bb4-4c12-82ae-7608bc6ac297/1_Kate012.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1a13988d-d665-4843-a12a-0ec893ad3559/spring037.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/603c1145-8fed-414b-9465-daf43515c2a4/1.jpeg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/9da1ff7f-e374-4aeb-9e78-2056d77138e5/spring036.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/81ef1ad5-06a2-4253-a3d0-46a6094249bd/Fowler115+copy.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/c64ca1c6-ac9e-4614-97ee-44ae010e0d15/Fowler111.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/ce24e3f2-2aab-40cd-9e15-5554410f82f2/spring016_edit.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/744b53b5-bab3-4bb9-83dd-2e8aca94e839/spring031.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/b4508b83-cc10-4233-9b6c-baba047724ef/spring046_edit+copy.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/3fb26a7d-aa43-4e72-bb91-9b58e6ad647e/kate041+copy.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/52eb4b76-0e8d-4480-ac4a-f49b7616cc83/spring057.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/73cde938-560e-481a-b6c0-34825d5c29a7/Fowler103+copy.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/10d32b54-1210-48e5-82e3-51e4043f5928/kate038.jpg Work - Media https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621282890047-Y92ALTIOELOE4TIZIC9L/Fowler_05.jpg Work - Media - Confederates in the Attic: Revisited Published on Oxford American https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621284220686-37CWHRY9BFYONI35H1EB/tumblr_mdgjsve7yQ1qeqv2zo1_1280.jpg Work - Media - Nitro (Photo) Published in the Photographic Museum of Humanity https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621349301420-CCA0HVCA896LIHSZWQ7A/tumblr_mj9b8yOc671qeqv2zo1_1280.jpg Work - Media - Nitro (Film) https://images.squarespace-cdn.com/content/v1/60a2bf9f12cea21e6663b96e/1621348624409-LZWUWXUCLYLWG1OZ1T9T/tumblr_lzf2agUI3n1qeqv2zo1_1280.jpg Work - Media - With Signs Following (Film & Photographs) Published on Feature Shoot